A LIVING PUBLICATION · David Guez

DialoGZManifesto.

Dialogz is an initiative by David Guez, an artist and author whose work began with the arrival of the Web and the conception of a particular project: Le Livre des liens — The Book of Links.

From the 1990s onward, it became important to understand what art might do with the immense revolution of the Internet and what new practices could emerge from it, both artistically and socially.

Thousands of questions, intuitions and reflections followed, together with the desire to produce objects and matrices within the field of art — perhaps the only field capable of welcoming and integrating these strange forms that were still coming into being.

Above all, there was a desire to invent new forms of encounter and exchange: to create living, shifting collectives and platforms; to imagine new ways of engaging with time, individual and collective memory, the media, radical representations and the utopias of a world that had become hyperconnected.

Thirty years later, we find ourselves facing contemporary artificial intelligences and one immense question: where are we going?

Alone or together, with or without them, through refusal or submission, through thoughtful integration or in a wild, uncontrolled manner — all the way to our irreversible disappearance as human beings?

Dialogz takes up the principle of Le Livre des liens: creating dialogues between people, disciplines, works, technologies and collective imaginaries. But beyond the prompt, it also attempts to enter into dialogue with these different intelligences, artificial yet entirely real.

Dialogz is a kind of multiversal logbook with a minimal objective: to release everything that once slowed down or obstructed creation; to multiply proposals, theories and outlandish hypotheses; to bring previously separate fields into contact; and to venture further into radicality.

To be able, at last, to begin with an image, an intuition or a detail encountered in a book, a film, a poem or a simple glance, and immeasurably expand the reach of our imagination.

And who knows?

We remain — and we will remain — fragile, mortal, anxious, in love and, in that respect, different.

Welcome to Dialogz.

David Guez

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Dreams of Magazines

Dreams of Magazines

From Poptronics, which I helped conceive, to Neural and Right Click Save, a journey through magazines that shaped net.art and digital art. It leads to LABIAL, a magazine of literature, art and artificial intelligence at Éditions L, at labial.fr.

THE DIALOGZ ARCHIVE

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BIASEL: AQUA ORO, launching LABIAL and art in the age of AI

BIASEL: AQUA ORO, launching LABIAL and art in the age of AI

…igence, at Wilde – Le Lieu, 4 / 6 / 8 rue François-Miron, Paris. Curated by Marta Russoli, the exhibition brings together artworks, performances and discussions about changes in creative practice. I am participating with AQUA ORO / Eau de prompt and will launch LABIAL, my maga…

Dreams of Magazines

Dreams of Magazines

…ist could host an argument or a performance; a website could become an archive; a PDF could be an exhibition, an open invitation to an artist, and an object to print. The history of these magazines is therefore also the history of the practices they helped us recognise. This ques…

From Primordial Chaos to Artificial Mind

From Primordial Chaos to Artificial Mind

…. Recent projects: when the environment becomes the work Pierre Huyghe’s 2026 Fondation Beyeler exhibition assembled films, objects, organisms and machine learning. Apnea joins an aquarium, soft robotics, breath and a mineral landscape. Liminals (2025) follows a faceless figure…

Luddism 3.0: Toward a Peer-to-Peer Collective Intelligence

Luddism 3.0: Toward a Peer-to-Peer Collective Intelligence

…d waiting I imagine Interlligence as both an artwork and an infrastructure. A question reaches an exhibition space; somewhere, strangers choose to give it five minutes, an hour or a night. Waiting becomes visible. Disagreement is not erased by a smooth sentence. Unlike a conventi…

The Begging Robot: Asimov’s Laws Inverted

The Begging Robot: Asimov’s Laws Inverted

…tinue to bear the consequences in their own bodies. This replica battle droid, photographed at an exhibition, gives that shift a face. And why would wars between robots stop at Earth? NASA is already developing teams of cooperative robots to explore the Moon and, potentially, Mar…

The Future Arrives All at Once

The Future Arrives All at Once

…. It becomes an artwork.Who do we make art for?Art is usually made for a contemporary horizon: an exhibition in six months, a book next year, a video published today. Even when an artwork is intended to last, its first reception generally belongs to the present.Imagine a work mad…

AI Predictions 2027

AI Predictions 2027

In 2024, for an exhibition project at the Centre Pompidou, I asked an AI to predict the Olympic winners before the Games took place. With AI Predictions 2027, I turn that experiment into a living observatory: 67 oracles evolve every day according to new data, their oracularity, their green, yellow or red status, and their self-fulfilling power.

Before the I_mage

Before the I_mage

…pens when a machine treats the Earth’s ecological boundaries as a problem to optimize? The 2026 exhibition Strange Rules at Venice’s Palazzo Diedo brings new visibility to the “art of protocols.” Its artists examine algorithms, AI models and the infrastructures governing…

MAIO: Can a Machine Infer an Artwork?

MAIO: Can a Machine Infer an Artwork?

…l, turned it over, signed it “R. Mutt” and submitted it to the Society of Independent Artists exhibition in New York. The object was rejected. That rejection belongs to the work as much as the object itself. With Fountain, manual fabrication, beauty and uniqueness ceased to b…

NEWSLETTER DAVID GUEZ · DIALOGZ

Newsletter David Guez - Dialogz

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